From reverberating chaos to concert halls, ‘good acoustics’ is culturally subjective

22 mayo 2015

Play a flute in Carnegie Hall, and the tone will resonate and fill the space. Play that same flute in the Grand Canyon, and the sound waves will crash against the rock walls, folding back in sonic chaos. The disparity is clear – to the modern listener, the instrument belongs in an auditorium. The response of audiences and performers to acoustic characteristics is a function of their worldview, and it is as fluid as the environment they inhabit, researchers say.